Great writers have rarely written of style, perhaps because it is so individual, so intimate a matter; and the trick of the thing may not, except in rare cases be communicated to the tyro. The convenient methods of absent treatment d by correspondence schools of authorship are of no avail in the business of style; style can no more be taught than the shadows of clouds across June meadows, or the play of wind over wheat fields can be directed or influenced by the hand of man.

To grasp style much is inevitably presupposed,—grammar, sensibility, taste, a feeling for color and rhythm,—of such things as these is the kingdom of style. In children we often observe an individual and distinctive way of saying things; we all have correspondents whose letters are a joy because of their vivid revelation of the writer. In every community there are persons much quoted for their wit or wisdom, whose sayings have a raciness and tang.

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