This romance of “The Beggar’s Opera” introduces many real persons but all imaginatively treated. Lord Baltimore, “The American Prince,” as he was called at the time in society, has come down to us with a reputation for heartlessness of which I have made the most, and it would be difficult for any novelist to exaggerate the whims of the famous and beautiful Duchess of Queensberry—or Queensbury, as I have preferred to spell her title, that being her own and (generally speaking) the contemporary method. 

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